Vers une taxonomie de la mémoire. Pratiques artistiques colombiennes sur la reconstitution de faits historiques

Abstract : From the Bogotazo (1948), the history of Colombia is known as the history of an armed conflict in which violence has been the backdrop. In this context, the traumas of society end up becoming collective memory, configuring a new cartography of pain. In response, artists talk about Art as a language against the current, seeking to create a restorative space that allows reflection on traumatic events. Many of the current artistic practices in Colombia intersect different temporal plots through multimedia and enveloping installations in order to elaborate a counter-hegemonic discourse that is presented as an act of resistance to the reality that surrounds them,
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https://hal.univ-lorraine.fr/hal-02088799
Contributor : Virginia de la Cruz Lichet <>
Submitted on : Thursday, May 30, 2019 - 5:02:27 PM
Last modification on : Sunday, June 9, 2019 - 1:22:36 AM

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Virginia de la Cruz Lichet. Vers une taxonomie de la mémoire. Pratiques artistiques colombiennes sur la reconstitution de faits historiques. Cuadernos del Centro de Estudios de Diseño y Comunicación, Universidad de Palermo, 2018, ⟨https://fido.palermo.edu/servicios_dyc/publicacionesdc/vista/detalle_articulo.php?id_libro=709&id_articulo=14962⟩. ⟨hal-02088799⟩

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