An Oratoro. The Music Selected from the Works of George Frederick Handel (London: Griffin, 1764) 18 (musical compilation and arrangements by Samuel Howard) ,
Sacred Song with Violin Obbligato. Written and Arranged by B, 1902. ,
Lascia ch'io pianga"] is one of those strains which can never die, but, like all Handel's fine Italian airs, essentially of sacred character ,
, Alcina: an Opera. As it is Perform'd at the Theatre Royal in Covent-Garden, Works Cited 1. Primary Sources Anon, p.1735
Redemption: a Sacred Oratorio, Selected from the Great, and Favourite Works by, 1786. ,
The Present State of Music in France and Italy; Or, the Journal of a Tour through Those Countries, Undertaken to Collect Materials for a General History of Music, The Present State of Music in Germany, the Netherlands and United Provinces. 2 vols. London: Becket, 1773, p.1789, 1771. ,
London: Lintott, 1713. Egmont, John Perceval, Earl of. Manuscripts of the Earl of Egmont. Diary of Viscount Percival, Poems on Several Occasions. London: Say, 1729. Dennis, John, pp.1920-1943 ,
, 1742. Ed. R. F. Brissenden. Harmondsworth: Penguin, 1977.
The History of the Rise and Progress of the Charitable Foundations at Church-Langton, 1767. ,
O Lord, Correct me. Sacred Song Adapted to the Music of Handel, Lascia ch'io pianga. English Words by Nella. London: Sheard, 1874, vol.1851, 1902. ,
A General History of the Science and Practise of Music. 5 vols, p.1776 ,
,
Drama da Rappresentarsi nel Regio Teatro di Hay-Market, per la Reale Accademia di Musica, p.1725 ,
An Enquiry into the Rise and Progress of Operas and Oratorios, with some Reflections on Lyric Poetry and Music", prefixed to Rosalinda, a Musical Drama. As it is Performed at Hickford's Great Room, in Brewer's Street. ? Set to Music by, p.1740, 1975. ,
A Sacred Drama, as it is Perform'd at the Theatre Royal in Covent Garden. The Music by Mr Handel. London: Watts, 1744. Mount Edgcumbe, Richard Edgcumbe, Earl of. Musical Reminiscences, Containing an Account of the Italian Opera in England, 1725. ,
The Poems of Alexander Pope, A One Volume Edition of the Twickenham Text with Selected Annotations, John Butt, 1963. ,
An Ode to Mr Handel, on His Playing the Organ. London: Tonson, 1722 ,
, ouvrage périodique d'un goût nouveau? 20 vols, pp.1733-1773
,
, Da rappresentarsi nel Reggio Teatro a Londra. London: Howlatt, 1711.
Il serio del faceto: scritti varii. Firenze: Le Monnier, 1868 ,
An Oratoro. The Music Selected from the Works of George Frederick Handel, 1764. ,
, Secondary Sources Barbier, Patrick. Histoire des castrats, 1989.
L'Amour de l'art: les musées d'art européens et leur public, vol.2, 1969. ,
The Universal entertainment of the polite part of the world: l'opéra italien et le public anglais, pp.1705-1750, 1995. ,
New Sources for the Libretto of Handel's Joseph, Winton. Handel's Dramatic Oratorios and Masques, 1959. ,
Heart Religion in the British Enlightenment: Gender and Emotion in Early Methodism, 2008. ,
Artful Improvement or Corruption of the Mother Tongue? The Morality of Eighteenth-Century Hearing and Aaron Hill's Campaign for Improving Sound on the English Stage". Taste and the Senses in the Eighteenth Century, 2011. ,
Handel's Oratorios and Eighteenth-Century Thought. Cambridge: Cambridge UP, 1995. Young, Percy M. The Oratorios of Handel, 1959. ,