#JeSuisCharlie & #PeaceForParis: appropriation, reformulation, and circulation of "Liberty Leading the People" on socio-digital networks during the Paris attacks
#JeSuisCharlie & #PeaceForParis : Appropriation, reformulation et circulation de “La Liberté guidant le peuple” sur les réseaux socionumériques durant les événements de Paris
Résumé
The proposed discourse analysis concerns multimodal tweets which posted the painting Liberty Leading the People of Eugène Delacroix during the Paris attacks of 2015. In 2015, France was subjected to two tragic terrorist attacks on January 7th, 8th and 9th - with the most famous attack against the satiric newspaper Charlie Hebdo and the hostages being taken in a kosher supermarket - and a series of shootings and murderous suicide attacks on November 13th in Paris and Saint-Denis. In reaction to these attacks, several events to support the victims were organized. Several gatherings - called “republican marches” - took place in tribute to the victims on 10th and 11th January. However, following the November 13th events, demonstrations on the public highway were forbidden when a state of emergency was declared by President François Hollande the day after.
L’analyse du discours qui est proposée s’intéresse aux mécanismes d’appropriation, de
reformulation et de circulation de la toile La Liberté guidant le peuple d’Eugène Delacroix
sur les réseaux socionumériques durant les deux événements tragiques que Paris a
connu en 2015 : l’attentat contre Charlie Hebdo le 07/01/2015 et les attaques de Paris le
13/11/15. L’article étudie comment les internautes confrontent ces événements à la force
symbolique de la toile. Il a pour objectif de souligner les processus de circulation des
discours sur les réseaux socionumériques ainsi que d’éclairer la dynamique interdiscursive
des reformulations.
Fichier principal
SIMON-Justine-SCRIPTA-16382-Texto do artigo-67096-1-10-20181030.pdf (1.22 Mo)
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