L'hybridation, un processus décisif dans le champ des arts plastiques : de la figure à la culture hybride

Abstract : Hybridization is apprehended by an archeology of the concept for querying its origins, formation, but also to characterize its evolution and determine its function in different historical phases through which it passes. The analysis includes in relation to successive redefinitions the paradigm of art ranging from medieval to contemporary art.This research reveals its novelty valuable historical stratification in the study of field works and terminological field. The approach of the different categories of the hybrid, as well as the evolution of its function, shows that it must be entered in all its complexity, character-test the concept, until the emergence of a culture hybrid.If the current period includes hybridization as a central issue, it will be interesting to characterize the multiple factors that contribute to this situation, and how new meanings of the term actually participate in a reconfiguration of the field of terminology and establishing new approaches to this problem. If contemporary art promotes new principles such as restructuring and conversion, it promotes undeniably hybrid by combining three other plans: Hypertechnology and digital, a new geopolitics of art, as well as increased interaction and interpenetration of media.Hybrid culture in the face of globalization requires the emergence of a new identity in the art that the translations are operating with other cultures of the world, but also the continuity of aesthetic diversity, a shift of the definition of art and a crisis of post-modernism
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Emmanuel Molinet. L'hybridation, un processus décisif dans le champ des arts plastiques : de la figure à la culture hybride. Art et histoire de l'art. Université de Lorraine, 2012. Français. ⟨NNT : 2012LORR0409⟩. ⟨tel-01750181⟩

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