, Two Post-Modern PJays (Jackets et In In the Company of Men), Notes on Post-Modernism, 1990.
, OJJy's Prison, (London : Methuen Modern Plays, 1993.
Intervj-ew and Teaching Notes, 1993. ,
, Coffee et "Notes on Imaginatiorr, 1995.
, OEU\TRES COMPLETES Chronologie des premières publications
Author's Note : on Vio]-ence" ; Saved ; EarJ-y I"lorning ; The Pope's wedding, Eyre Methuen, vol.1, pp.9-77 ,
Preface to Lear" ; Lear ; ?he Sea ; Narrow Road to the Deep North ; BJ-ack l"lass ,
, Eyre Methuen, 1978.
Introduction to Bingo" ; Bingo 1 "fntroduction to The Foof" ; The EoofClare Poems" ; The Woman ; "Poems, Stories and Essays for The WomanAuthor's Note ; Stonel, Four Pieces, 1987. ,
, PJays : Four I The Wor].ds I "The Activists Papers
, RestorationRestoration Poems and Stories" ; Summer
, Sumner poems, Eyre Methuen, vol.7992
,
, Three Sjsters (traduction)
, Theatre Poems and Songs, 1978.
, Spring Awakening (traduction), (London : Methuen Theatre cl-assics, 1980.
, Poems 7978-7985, 1987.
, 1,994\ . OETIVRES NON PUBLIEES After the Assassinations
, At the Inl-and Sea
, A Chaste l"laid in Cheapside
, Orpheus
, The White Devil-, (adaptation), p.492
,
Horst Bond's "Lear" and Shakespeare's "King Leat ,
,
,
, Très précieuse collection de documents
, Rome : BulzonL 1'919
, Plays, 1980.
, Etude thématique de f'oeuvre
, Companion to the Plays, 1978.
Poesje und RevoLution im Werk Edward Bonds : die Lyriker- Viten John Cfares und Matsuo Bashos al-s ProLegomena einer Sozial-istischen Gattunqsutopie ,
, , 1983.
,
, , 1985.
, Réflexion sur I'oeuvre intéressante
,
, , 1973.
The Art and Pol-itjcs of, 1987. ,
,
The Dynamic Contradiction in SeLected Plays of Edward Bond: a Study in Dramatic Technique, Dissertation Asbstracts International Ann Arbor Michigan, 1987. ,
,
, Die Rezeption der Dramen Edward Bonds im Deutshen Sprashraum, 1984.
Charl-otte-Rose VioJ-ence in Contemporary Drama : Antonjn Artaud's Theatre of Cruel-ty and Se-Zected Drama of Genêt, Wifl-iams, Dissertation Abstracts fnternational-Ann Arbor Michigan, p.198 ,
, , p.915
Jenny Structure and Pofitics in the Plays of Edward Bond, (Dissertation Abstracts International-Ann Arbor Michigan, r9B2) ,
, Ql-rrrr{- Tan v Lss! çt PoLitics in Performance : the Production Work of Edward Bond 7973-7990, Dissertation Abstracts international Ann arbor Michigan, vol.1, p.992
The Forged lron : Modes and Counter-luIodes in the PJays of, Dissertation Abstracts International-Ann Arbor Michigan, l-9BB) ,
, Dissertation Abstracts fnternational Ann Arbor Michigan, 1990.
,
, BBC Radio4
,
, BBC Broadcast, vol.26
, Archives de France Cul-ture
Participation (parfois étonnante) de metteurs en scène et de traducteurs français ,
Saved The fntruder in I"lodern Drama, Frankfurt : Lang 1891), pp.11-24 ,
, Kunst.Ierdethronisierung als Dramatishes Prinzip i zûr Aestetik des Gegenwarstheatres in Grossbritannien
, , pp.209-224, 1985.
, Teatro Inglese Contemporaneo : Saveli I91 9), pp.1-06
The History Plays of Edward Bond, in : New British Drama in Performance on the London Stage: 7970 to 7985, Gerrard Cross : Smythe 798'7), pp.249-302 ,
Edward Bond : Pessimism of the Intel-lect, Optimism of the Wil-1", in : Playwright's Progress : Patterns of Postwar British Drama, pp.151-169, 1981. ,
Lear Come Lately, in : I"Iodern Shakespeare Offshoots, r/Dri nnaf nn, il_f ord : Princeton U. P. I9'7 6), pp.254-266 ,
The Fabulous Theatre of Edward Bond, Essays on Contemporary British DramaMunish : Hueber 1981), pp.1-5 ,
, Digging the Greeks : New Versions of OId Classics, pp.41-54, 1994.
, American InterpJay in Recent DramaCambridge : Cambridge U.P, pp.36-51, 1995.
, Théâtre et Pol-itiqueToulouse : Toulouse le Mirail U.P. I9B4), pp.149-51
, Stages in the RevoLution : PoLitical Theatre in Britain Since J-968, pp.76-88, 1980.
,
Edward Bond : A political Education British and Irish Drama Sjnce l-960, pp.103-116, 1993. ,
DOI : 10.1007/978-1-349-22762-4_8
in : The New Britjsh Drama, (London : Hamilton 1-9'7'7), pp.18-20 ,
Un.l-earning Violence : Bond's Lear", in : The Pf of of the Future : Utopia and Distopia in Modern Drama ,
, , pp.104-109
The Artist in Society : Bond, Shakespeare and Bingo, Before his Eyes, pp.57-70, 1986. ,
The Adaptation and Reception in Germany of Edward Bond's Saved", in : The PJay out of Context : Transferring PJays from Cul-ture to Cul.ture, (NY : Cambridge UP, 1989. ,
Edward Bond : Sarzed and The Pope's Wedding", in : VerbaL Viol-ence in contemporary Drama : from Handke to Shepard, Carnbridge : Cambridge U.P. 1,992), pp.125-145 ,
,
, Dj-e Behandlung von Liebe Aggression in Shakespeares Romeo and Jul,iet und in Edward Bonds Saved, pp.132-159
An El-ective Af f inity : Edward Bond's Sprinçr Awakening" , in : On .Fjrst Looking into Arden's Goethe : Adaptations and Transl.ations of Cl.assicaL German Plays for the English Stage, pp.81-103 ,
Sans titre. in : Das Moderne Drama des AusLandes, Dussel-dorf : Bagel I9'7 6), pp.183-192 ,
Edward Bond, an Author with Anarchist Tendencies and Liberal Attj-tudes, British Drama and Theatre from the I4id-Fifties to the I4id-Serzentjes, pp.101-102, 1979. ,
, Das Eng)ishe Drama der Gegerwart : Interpretationen, (Berlin : Shnidt I916), pp.222-238
Mytholoqizing, in : To HoJ-d a Mirror up to Na ture : Dramatic fmages and Refl-ections, P. of America, vol.1, pp.98277-90 ,
Edward Bond's Historical-Allegories", in z Radical- Stages : Alternative History in Modern British Drama, 199I), pp.139-151 ,
Edward Bond's The Woman : Mythos und Geschichte in einer 'socialistische Rhapsodie, Munich : Fink I9B2), pp.359-394 ,
Sans titre. in : British and lrish PoJ-itical-Drama in the XXth Century : ImpJicating the Audience ,
, , pp.101-102, 1986.
, Bref survo] de l-'oeuvre
Theorizing Utopia:, Iowa City, pp.1-991 ,
DOI : 10.2307/j.ctt20h6tv1.16
, Edward Bond : Parables for our Times, After Brecht : British Epic Theatre, pp.49-80
, Barcelona : Laia 1983), pp.61-80
, Edward Bond's Seved", in : The Royal Court Theatre 1-965- 7972, pp.29-43, 1986.
, Chronol-ogie très détaiIlée
, Edward Bond's Summer : a Voice f rom the Working-Class ,' Essays from Modern Drama, Contemporary Britjsh Drama 7970-1990, 1993.
Men run Camps of Mass Murder and Sing Carols : the Rational Theatre of Edward Bond", in : The Function of Songs in Contemporary British Drama, Newmark : Delaware U.P, pp.131-201, 1990. ,
, Essays on Contemporary British DramaMunich : Hueber 1981), pp.205-222
Rerzo-lutions in Modern DramaBond's Restoration ; Essays from l4odern Drama, BelI) Contemporary British Drama, pp.16-187, 1993. ,
Empty Spaces and the Power of Privacy, Modern Drama and the Rhetoric of Theatre, pp.1-98, 1992. ,
The Pope's Wedding. Composition : 1961,-1,962, Première : Royal Court Theatre, p.9, 1962. ,
Compositj-on : 1964, Première : Royal Court Theatre (Londres), vol.03, issue.11, 1965. ,
, A Chaste l4aid in Cheapside, Composition, 1965.
, Première : Royal Court Theatre (Londres), vol.13, issue.0I, 1966.
, Composition : 1,966, Three Sjsters, p.966
, Iornlng Composition : 19 65-1,961, Première : Royal Court Theatre 3I/03, 1968.
, Narrow Road to the Deep North. Composition, 1968.
, , 1968.
Composition : I9'70, Première : Lyceum Theatre, vol.22, issue.031, p.970 ,
Composition : I91I. Première : Al-exandra Park Racecourse, p.7917 ,
Composition : 1969-791I, Première : Royal Court Theatre (Londres), vol.29, issue.09, p.7917 ,
, The Sea. Composition : 1.91I-L912. Première : Royal Court Theatre, p.913
Composition : I973. Première : Northcott Theatre, I4/II ,
Composition : I974. Première : National Theatre ( Londres, pp.91-131 ,
Composition : 1974. Première : Royal Court Theatre, LB / II / 1, p.915 ,
Composition : 1,916 Première : Institute of Contemporary Arts, p.916 ,
, We Come to the River. Composition : 19'72-79'14
Royal Opera House (Londres)r f2, p.916 ,
Composition : L976. Première : Old Vic Theatre, pp.72-73 ,
Composition z 19'76. Première : A.lmost Free Theatre (Londres) ,
, The Swing : 22/11, 1916.
, Composition : 19'71 . Première : The ldarehouse (Londres), p.918
, Composition : I9'74-1'971 . Première : National Theatre (Londres) r 10, p.918
, Composition : 1,9'71-1,979. Première : Newcastl-e Playhouse, p.919
Composltion : L91'7-I978, Première : Stuttgart Ballet Company ,
, Restoration Composition : L9'79-1980, 2I/ 07
Composition : 1980-1981, Première : National Theatre, vol.217982, issue.07 ,
Composition : L982. Première : The Other Pl-ace ( Strat ford-upon-Avon, p.7982 ,
, After the Assassjnations. Composition : inconnue
, The Cat. Composition : I919. Première : Schwetzinger Festpiele, Wùrttembergische Staatsoper, issue.06, p.2, 1983.
Composition : 1984-1984 Première de la trilogie complète ,
Composition : inconnue. Première : Department of Theatre Studies, p.989 ,
Composition : inconnue. Première : Canterbury Cathedral (Canterbury, pp.9-9 ,
, Jn the Company of Men. Composition : inconnue
Composition : inconnue. Première : téIédiffusion par BBC Education, pp.3-7993 ,
Composition : inconnue. Première : télédiffusion par BBC TV, 1993. ,
Composition : inconnue. Première : Soar Ffrwdamos Community Theatre, 1996. ,
appropriation, 397 arL, pp.478-316 ,
, , pp.322-313
, II, vol.221, issue.482, pp.320-324
, classe ouvrière, p.372
, Commentary on the War PJays, pp.77-95
436, dévoilement' LB3-198, 345' 349 dialectigu?, 7I, 7L6' LI7 ' l-l-8, r24, pp.1-64, 1976. ,
, , pp.418-248, 1975.
, In the Company of Men, vol.88, p.444
, , pp.484-485
, , 1974.
, , p.254
, , pp.369-372
, {r Narrow Road to the Deep North, pp.3-3, 2013.
, Notes on Imagination 9B Notes on Post-Modernism, vol.18, pp.77-8277
, , pp.436-467
, , pp.352-374
, BJ, vol.7118, issue.235, pp.61-413, 1973.
, , pp.3-4
, Restoration, vol.66404564, issue.3, pp.61-109, 0131.
socia.l-isme, pp.476-480 ,
, , pp.71-256
, The Sea, pp.403-404
, The Swing, pp.452-458
, The Tin Can People The Vlar PJays, pp.7-300
, , pp.6-63
, We Come to the River, pp.313-347, 1975.