Franz Von Suppè et l'opérette viennoise à l'ère du libéralisme (1860-1880)

Abstract : Through the process of secularization which the philosophers of the Frühaufklarung have contributed to, the ethical and political area of middle-class theatre progressively develops. A new class, that's to Say, the rising middle class in the second half of the 18th century, calls for its own amusements. Liberalism and Viennese operetta, especially its creator Franz von Suppè represent the context of the investigations of this thesis. The first part of the thesis describes the musical and theatrical forms pnor to operetta and sets up the elaboration of ideological and aesthetic concepts with derence to the birth of Liberalism and its repercussions upon theatre and music. indead, the Austnan liberalism (1860-1879) exerts an influence on mentalities and arts. Maybe operetta is the most characteristic manifestation of this transfer. The second part of the thesis deals with the sociopoliticai and musical analysis of two operettas from Franz von Suppè who is considered to be the father of the classical Viennese operetta : Die schöne Galathee (1865), Boccaccio (1879). Political and economic theuries of Liberalism, as well as its deviations form the background in which the advent of the Viennese operetta takes place, musical and theatrical expression of the rising middle class. The main lines of reflection are the federating and socializing roles of the Viennese operetta in the midst -of the city, women's emancipation, anti-Semitism, anticlericalism, arnong other themes
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José-Luis Munoz. Franz Von Suppè et l'opérette viennoise à l'ère du libéralisme (1860-1880). Musique, musicologie et arts de la scène. Université Paul Verlaine - Metz, 2007. Français. ⟨NNT : 2007METZ007L⟩. ⟨tel-01749023⟩

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