Skip to Main content Skip to Navigation
Theses

L'artiste au coeur des politiques urbaines pour une sociologie des ateliers-logements à Paris et en Ile-de-France

Abstract : Throughout the long and complex odyssey the artist has been traversing from the times of Ancient Greece to the present day his studio has been much more than just a site for work. If for a certain time it had been the place where images for religious and political practices were created allowing the artist to distinguish himself from the craftsman, his studio, located in the proximity of the royal courts or of the Vatican, had become a token of artistic activity but above all of his membership as a citizen of the township and of the society. When in early 19th century the artists, members of the Academy, were expelled from the Grand Gallery of Louvre it signified for them a liberation of their ties with the Academy and opened a new way to be part of the urban milieu. As a consequence, the artists had to settle «in town« the elite of them choosing to find foothold in the neighbourhoods inhabited by the bourgeoisie of business activities. The less fortunate popular strata, including the unrecognized artists, had to move away from the massive transformations of the urban infrastructure imposed by baron Haussman on the city of Paris. At the same time, Paris continued to attract artists from abroad. At the end of the 19th and in the beginning of the 20th century, the newly attached Montmartre and Montparnasse became the favoured neighbourhoods gathering artists living in improvised quarters. Inspired by the philanthropic initiatives benefiting the working population, the City of Paris started constructing between the wars social lodgings for employees and workers at the city's gates. This activity marked by solidarity was extended to include also painters and sculptors. It received new momentum in the 1960's by the Ministry of Culture in form of the actions it undertook in favour of artists. These activities were a concrete expression of the policy of the welfare state promoting the artists. In the housing renovation programmes in Paris and the nearby suburbs the construction of residential studios for artists was included in numerous social housing projects. A residential studio in the urban context became a basis of recognition for the professional artist.
Document type :
Theses
Complete list of metadata

Cited literature [55 references]  Display  Hide  Download

https://hal.univ-lorraine.fr/tel-01749082
Contributor : Thèses Ul <>
Submitted on : Thursday, March 29, 2018 - 12:00:37 PM
Last modification on : Friday, October 23, 2020 - 5:00:27 PM
Long-term archiving on: : Friday, September 14, 2018 - 9:03:09 AM

File

2011NAN21019.pdf
Files produced by the author(s)

Identifiers

  • HAL Id : tel-01749082, version 1

Collections

Citation

Dominique Billier. L'artiste au coeur des politiques urbaines pour une sociologie des ateliers-logements à Paris et en Ile-de-France. Sociologie. Université Nancy 2, 2011. Français. ⟨NNT : 2011NAN21019⟩. ⟨tel-01749082⟩

Share

Metrics

Record views

136

Files downloads

1913