Les techniques et le corps dans la transmission de l'art théâtral : ethnographie d'une Ecole de théâtre professionnel - (Les classes d'Art Dramatique du Conservatoire Royal de Liège)

Abstract : This research aims to demonstrate and understand how to transmit the theatre, how, within the workshops', "makes an actor. The study of the "manufacturing" will inevitably depend on the investigation of its cultures, its rituals, its traditions. The land on which these investigations are conducted is very unusual, classes drama of the Royal Conservatory of Liege and their teaching team. Members of this team, gathered around a particular educational project, shaping this theater actor in a relationship of reciprocal obligations that become established symbolically in the actor's body. This symbolization by the body would reduce tension there between theatre and the society that determines in its essence and in its forms. Unlike other conventional formations where the body away in a mere representation and is separated from giving it meaning, namely, the company says, that the unique training features directly connected with what governs its advent, the society of men and women who interpret the world through the theater.
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Olivier Parfondry. Les techniques et le corps dans la transmission de l'art théâtral : ethnographie d'une Ecole de théâtre professionnel - (Les classes d'Art Dramatique du Conservatoire Royal de Liège). Sociologie. Université Paul Verlaine - Metz, 2008. Français. ⟨NNT : 2008METZ002L⟩. ⟨tel-01752616⟩

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