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Image(s) de la Résistance ou résistance(s) à l'image : 1939 - 1945 : Histoire et mythologies cinématographiques

Abstract : With bringing together and comparisons between the forty three films of the corpus, we are planning to analyze the relations between the film and the concept of resistance kept up by the society, between the film and the way that the resistance to look to itself. By bringing to the fore the different elements which compose the picture, the organisation of the picture in the narrative construction and the tremporal combinations that emerge out the many levels which constitute the film, it appears a narrow tie between the film and the memory, between the film and the history. History takes place in the film through it production context. This research, carrying out a systematic analisis of the films, results in the exposure of a representation of the resistance through a opposition system to the collaboration, which is destroyed by its representation and in the next verification : the film about the resistance subject to the historical writing and to the movements of our social memory and of our construction of identity.
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Submitted on : Tuesday, April 24, 2018 - 3:57:19 PM
Last modification on : Thursday, April 26, 2018 - 1:28:03 AM
Long-term archiving on: : Wednesday, September 19, 2018 - 11:58:05 PM


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  • HAL Id : tel-01776332, version 1



Claude Lacour. Image(s) de la Résistance ou résistance(s) à l'image : 1939 - 1945 : Histoire et mythologies cinématographiques. Sciences de l'information et de la communication. Université Nancy 2, 2002. Français. ⟨NNT : 2002NAN21026⟩. ⟨tel-01776332⟩



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