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Les points de suspension dans Le Canard enchaîné ou l'implicite au croisement du pré-, du post-, du méta-et de l'infradiscursif

Abstract : From a discourse analysis approach, this article deals with how Le Canard enchaîné, a satirical French newspaper, uses ellipses to build a posture of denunciation and complicity by playing on the tension between what is said and what is meant. Their functioning articulates three dimensions (semantic, discursive and semiotic) and participates in the dialogisation and in the ideologisation of the discourse, in a satirical enunciation. In that respect, ellipses act at the pre-, post-, meta-and infradiscursive levels, between semantic prebuilt and semantic " building " , generic determination and pragmatic target.
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https://hal.univ-lorraine.fr/hal-01407036
Contributor : Annabelle Seoane <>
Submitted on : Thursday, December 1, 2016 - 5:37:18 PM
Last modification on : Friday, June 25, 2021 - 3:01:10 PM
Long-term archiving on: : Tuesday, March 21, 2017 - 1:25:17 AM

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Annabelle Seoane. Les points de suspension dans Le Canard enchaîné ou l'implicite au croisement du pré-, du post-, du méta-et de l'infradiscursif. Signes, Discours et Sociétés : Revue semestrielle en sciences humaines et sociales dédiée à l'analyse des Discours , Université Galatasaray, 2016, 17, pp.[En ligne]. ⟨hal-01407036⟩

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