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Récits, images, activité, construction de l'identité : contribution à une clinique du sujet social

Abstract : This thesis articulates around a monograph. In a first time, the course that drove to research is exposed, followed by the methodological and theoretical reasons of the choice. It is about understanding the role of past and present pictures in the construction of the identity. The formulated hypothesis is that the construction of identity implies pore and more between immediate identification reference marks (relations neighnouring, family story, anecdotes) and the mediatized identification reference marks (tales, narrations, photos, movies), the vivid and resonant universes. What conscious and unconscious work can an individual produce in relation to these universes ? What joints take place with his own vivid and resonant mental productions ? These questions guide the survey made from the narration for a young man, Richard, descended of working families, in the Pays Haut lorrain (North East of France). The choice of the place and the individual rests on the established fact of a reference mark distress in this sector of industrial culture, immigration and social movments. The new generations tempt to rebuilt this inheritance by the slant of the movies and the audiovisual. The cartoon Goldorak marked his childhood, playing the role of an envelope allowing him to face the changes of adolescence and the separation of his parents. The grandmother's narrations, objects of the great grandfather contributed to the enrollment in the maternal lineage. He is taken in the father's quest, and his entrance in the paternal lineage occurs through the belonging to a gang. It's the writing of a movie script in which he is the character of Rambo that allows him to move away from this painful period of his life. His entrance in the youth center, his meeting with his girlfriend, the collective realization of a movie youngsters in the city make step on the side of sociolazing non-identifying activities, in the sens meantby G. Mendel (1995). The theoretical credentials on identification are inspired of Freud reread by J. Florence, those on the enrollment in the lineage by F. Hurstel. The theoretical credentials on pictures are essentially borrowed to S. Tisseron.
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Submitted on : Thursday, March 29, 2018 - 1:07:27 PM
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Manuel Rodrigues-Martins. Récits, images, activité, construction de l'identité : contribution à une clinique du sujet social. Psychologie. Université Nancy 2, 1999. Français. ⟨NNT : 1999NAN21008⟩. ⟨tel-01751130⟩



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