La forme-balade dans le cinéma européen depuis 1945 : essai de définition

Abstract : This transverse reading was conceived as a convergence of various theoretical instruments and as a trial put on the the philosophical concept of "wander-form" coined by G. Deleuze in this "image-temps". This definition attempt was applied from a semiotic standpoint to different levels of interpretation, from a thematic perspective (roaming vs. quest) to a study of expression and utterance (shift from explicit utterances to implicit utterances) through an investigation into narrative devices. These definition elements delivered somme clues : - the wander-form may be a key elements of modernity in filming, as a shift to newer filming practices, which increasingly tend to resort to monstration instead of narration ; - narration (as a leading thread of movement) is changed into monstration : - as a "super-genre" originating in "poetry-filming", the wander-form requires a rhetorical approach of figures
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Marie-Josèphe Pierron-Moinel. La forme-balade dans le cinéma européen depuis 1945 : essai de définition. Musique, musicologie et arts de la scène. Université Paul Verlaine - Metz, 1992. Français. ⟨NNT : 1992METZ005L⟩. ⟨tel-01775958⟩

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