La vie scénique d'une pièce de théâtre : "L'annonce faite à Marie" de Paul Claudel (1912-1995)

Abstract : This thesis deals with the main aspects of the evolution of the staging of the tidings brought to Mary by Paul Claudel from 1912 to 1995, from the point of view of its aesthetic aspect and reception. The first two parts throw of the author to several of its staging’s: after having hesitated for a long time before having it performed, he derives pleasure from following the play from its creation in 1912 and, later from having it performed which was audacious in Hellerau, Germany in 1913. However Claudel’s further attempts to stage the play until his death happen to be disappointing as they were nothing but projects which aborted or which brought about nothing but illusory satisfactions. The last part evokes more briefly the evolution of the staging of the tidings brought to Mary without the presence of its author. Stage-directors in France were not really attracted to this play until the 1940's, during the author's lifetime, while it was being performed almost everywhere in the world, especially in Germany. Since Claudel’s death in 1955, there has been a host of staging of the play in France, where this drama has become a popular classic, as well as abroad. as our imagination, and which, in the first place, has revealed the depth and the a conclusion we would say that this study shows how rich the staging of a play can be, a staging which, while it is inherent to the reality achieved through the scene, can appeal to originality collective of Claudel’s plays.
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Theses
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http://docnum.univ-lorraine.fr/prive/BUL_T_1996_0006_BERETTA.pdf
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Alain Béretta. La vie scénique d'une pièce de théâtre : "L'annonce faite à Marie" de Paul Claudel (1912-1995). Littératures. Université Nancy 2, 1996. Français. ⟨NNT : 1996NAN21006⟩. ⟨tel-01776550⟩

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