Les Ateliers d'insertion par la pratique artistique (Adipa) : entre instrument d'insertion traditionnelle et source d'innovation sociale

Abstract : The thesis relates to the intervention of artists in the workshops of social integration. A theoretical anchoring interactionnist makes it possible to show in what the traditional model of insertion is destabilized by the presence of artists. The material collected is of a qualitative nature. The questioned actors gather tribunitiens (carrying change), the ambivalents (oscillating between tradition and innovation) and of the conservatives (being opposed to the change). The first part shows in what the tribunitiens disturb the values and the standards of traditional insertion. The second part shows in what they disturb the practices and the modes of control. The third part is centered on the type of innovation proposed by the carriers of the change. While the ambivalent ones propose the development of a cultural insertion perceived like a new hopper, the tribunitiens propose the emergence of a citizen insertion. But if this last proposal opens alternatives to the statics of the system, it is also carrying a utopian form which, if it passed in a state of social practice legitimate, could reinforce the process of marginalisation of the recipients of the social assistance.
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Valérie Bretagne. Les Ateliers d'insertion par la pratique artistique (Adipa) : entre instrument d'insertion traditionnelle et source d'innovation sociale. Sociologie. Université Nancy 2, 2007. Français. ⟨NNT : 2007NAN21014⟩. ⟨tel-01777335⟩

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