Traversée des réalités dans l’immersivité de l’art : vers une expérience spatio-temporelle esthétique

Abstract : Immersive Arts appear as a spatiotemporal aesthetic experience resulting in a trilogy which brings together the dispositive, the artist and the spect-actor. Inductive measures awakening the unconscious and spontaneous part of our imagination create the emergence of ideas, feelings and emotions within the actor’s living body. The depth of the body is activated by the immersion through the artistic mechanisms using one of these typologies: Interactions, “Imsertions” and Hybridisations. The spect-actor or the artist himself experiencing the immersion brings to life in his whole body new feelings and sensations, thus altering his kinaesthesia, his sensory motor and neurophysiological perceptions, developing a new aesthetic interpretation of the universe he is immersed in
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Theses
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http://docnum.univ-lorraine.fr/ulprive/DDOC_T_2016_0180_BERNARD.pdf
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https://hal.univ-lorraine.fr/tel-02076440
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Submitted on : Friday, March 22, 2019 - 10:17:36 AM
Last modification on : Tuesday, March 26, 2019 - 1:16:18 AM

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Anaïs Bernard. Traversée des réalités dans l’immersivité de l’art : vers une expérience spatio-temporelle esthétique. Art et histoire de l'art. Université de Lorraine, 2016. Français. ⟨NNT : 2016LORR0180⟩. ⟨tel-02076440⟩

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