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Formatage du ressentir et représentations underground

Abstract : Progressively with the succession of the young generations, since an about sixty years, one notes the progressive emergence of a naturalization of the amplified practices of music (rock'n'roll, metal, techno, rap). This context always more strongly dominating is characterized by the multiplication of experiments, as well creative as consuming, of these styles. The techno and its alternatives more or less subversive or ludic are at the same time the last changes and the space times of intensification as well by the jerked or high-speed rhythms as in the valorization of the modified states of consciousness. After having described the great characteristics of them, one will develop the thesis of the existence of paradoxical injunctions in the caused sonic influences. Would these underground styles, even fragmented and groupuscule, have arrived at a situation of massification while becoming a knowledge shared by an increasingly large number of followers?
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https://hal.univ-lorraine.fr/hal-03005938
Contributor : Jean-Marie Seca <>
Submitted on : Wednesday, November 18, 2020 - 3:54:38 PM
Last modification on : Wednesday, November 18, 2020 - 4:17:48 PM

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Jean-Marie Seca. Formatage du ressentir et représentations underground. Sociétés - Revue des sciences sociales et humaines, De Boeck 2005, 90 (4), pp. 57-69. ⟨10.3917/soc.090.0057⟩. ⟨hal-03005938⟩

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