Penser la médiation culturelle au sud-est tunisien : objets et stratégies de valorisation

Abstract : The approach to cultural mediation in the Tunisian South-East evolves in this thesis through a specificdevice of a heritage nature: The Gsour. Our research develops along three stages. First a corpus ofrepresentative postcards illustrating the Gsourian architecture of these constructions has been collectedthen analyzed; such a semiotic oriented analysis sets the derelict, restored or distorted state of theseconstructions. Next comes the cognitive image based on the social representations of the same humangroup around the same heritage. In its third stage this study seeks to highlight the factors that play a rolein the intergenerational transmission of a culture built around the Gsour; an analytical approach of aqualitative type has been adopted for this purpose. Thus, the first two parts of the thesis have made itpossible to study the Gsour-related image, material on the one hand and cognitive on the other. Phasethree has been devoted to developing a communication strategy of a public and economic benefit from adesign angle, to bring forth the heritage value of such a space. The study of the material and immaterialaspects of this building ? being a device of cultural mediation - has made it possible to establish that theyfacilitate the propagation of a system of values that is this region?s own. In short, texts and images arebeing manipulated within the same spatial framework? the Gsour, to highlight the value of a part of theTunisian heritage in the South-Eastern region of the country
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Sarra Belhassine. Penser la médiation culturelle au sud-est tunisien : objets et stratégies de valorisation. Sociologie. Université Paul Verlaine - Metz, 2010. Français. ⟨NNT : 2010METZ021L⟩. ⟨tel-01748985⟩

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